The Boss is available in: European Spanish English on Netflix Spain
The richest American woman is sent to prison when found guilty by influence peddling. After his departure and ready to be reborn as the favorite business of United States, faced with having to start from scratch with a former employee.
After serving time for insider trading, a broke tycoon seeks to restore her former glory with homemade brownies, but she has unexpected competition.
In McCarthy’s latest broad comedy **The Boss** she and her husband Ben Falcone (“Bridesmaids”) collaborate as they–along with Steve Mallory–co-wrote the script with Falcone taking over the directorial duties. In fact, both McCarthy and Falcone co-wrote the 2014 vehicle **Tammy** starring McCarthy with Falcone in the director’s chair as well. So it is a relief to see how this Hollywood couple bond creatively over their film projects. However, it is not all that encouraging that the Falcones have subsided over generic laughfests.
On the surface **The Boss** could be perceived as a wacky female empowerment romp but dig deeper and this lackluster comedy has all the one-note comical deepness of a frizzled Phyllis Diller wig. McCarthy plays the brash and blistery Michelle Darnell, a Martha Stewart-esque CEO financial wizard with a convincing pretty penny that makes up her unbelievable fortune. In fact, Michelle happens to be the 47th wealthiest woman in America. Unfortunately, the law caught up with Michelle so now she is behind bars for inside trading.
After months of doing “hard time” (in reality “soft time” for the jailed demanding diva), Michelle is released where she learns of her frozen assets and diminutive ex-lover and rival entrepreneur Renault (Peter Dinklage) who has taken over her multi-million dollar companies. With nowhere to turn for support Michelle decides to intrude on her long-suffering former personal assistant Claire (Kristen Bell). The tolerant Claire is a single mother to 10-year old Rachel (Ella Anderson). As one can imagine the insufferable Michelle is a terror in poor Claire’s household with her bossy demeanor. Apparently Claire’s nastiness is just not reserved for Claire as she has plenty of scorn to go around for the ones who dare to step in her way.
Soon, Michelle discovers a way to get back into the capitalism game and recapture her status as a wealth-driven Wonder Woman. The agenda involves Rachel’s Dandelion troop as inspiration for Michelle scheming to recruit the outcast girls from the Dandelions (dubbed “Darnell’s Darlings) to sell the exceptional brownies based upon Claire’s crafty recipe. Naturally, Michelle is hard on the little gals to push her need for reaching success but in her own caring way she wants to educate the Darlings to become strong, independent future businesswomen armed with potential power and poise. With Michelle’s sad-sack backstory as a rejected little girl raised in a Catholic orphanage where many foster homes denied her existence it is clear that the seemingly cold and calculating Michelle does not want her hardship to be repeated in the group of girls she is grooming for the kill of conquering the business world.
**The Boss** has some slapstick moments that are passable and the always game McCarthy is willing to do what it takes to sell the zany goods to ensure the hefty chuckles. Playing hard-nose harlots such as the coarse Michelle Darnell is McCarthy’s specialty and she is effective when the material supports her tyrannical pushiness. However, **The Boss** feels lackluster because McCarthy’s sketchy bits are slight and the movie’s basic follow-the-dots lunacy is never on par with McCarthy’s bombastic business-minded bulldog. The movie feels cheaply lifted from the hybrid boundaries of 1989’s **Troop Beverly Hills** paired with 1988’s **Big Business.**
Thankfully, **The Boss** is not as tepid or forgettable as McCarthy’s other outings such as the aforementioned **Tammy** or **Identity Theft**. On the flip side, this toothless romp will never rub shoulders with the more acceptable McCarthy staples in **Bridesmaids**, **The Heat** or **Spy** either. In short, this particular **Boss** ought to be demoted to the unemployment line.
**The Boss** (2016)
Starring: Melissa McCarthy, Kristen Bell, Peter Dinklage, Ella Anderson, Kathy Bates, Tyler Labine
Directed by: Ben Falcone
MPAA Rating: R
Critic’s rating: ** stars (out of 4 stars)
(c) Frank Ochieng
I always liked Melissa McCarthy films when others said they were very bad, but this time it is totally different. I won’t blame her, she always gives her one hundred per cent and so for this film. But it was the terrible script that let her down. Actually, it is a watchable film, because of her, but without her completely unimaginable. The trailer looked much better than the film. It is a comedy, but the laughs are too far, not even a little smile in your face easy to obtain.
So it seems there are plenty of negatives about it than the good. I watched it to prove the people are wrong about it, but in the end I was wrong. This is the second time the director and McCarthy together for a film who are the real life couple. But I liked ‘Tammy’ better, not this one and there will be one more film that I hope they would come up with much more interesting than these two.
She is not a solo type star, her films are always the multistarrer. So whenever I hear about her new films, I get curious about her new partner. Kristen Bell was not bad, even Peter Dinklage have given a nice performance. So The casting was good, but they all did not get the good script or the role. I did not enjoy it means not that I won’t recommend it. It did not work for me, but it might to you, so I advise be carefully while choosing it.
Watch it on Netflix Spain
|The Boss (2016)|
|Rating: 5.4/10 (32,613 votes)
Director: Ben Falcone
Writer: Melissa McCarthy Ben Falcone Steve Mallory
Stars: Melissa McCarthy Kristen Bell Peter Dinklage Ella Anderson
Runtime: 99 min
Released: 08 Apr 2016
|Plot: A titan of industry is sent to prison after she's caught insider trading. When she emerges ready to rebrand herself as America's latest sweetheart, not everyone she screwed over is so quick to forgive and forget.|